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1 Society of Motion Picture and Television Engineers
Общество инженеров кино и телевидения
См. www.smpte.org.
[Л.М. Невдяев. Телекоммуникационные технологии. Англо-русский толковый словарь-справочник. Под редакцией Ю.М. Горностаева. Москва, 2002]Тематики
- электросвязь, основные понятия
EN
общество инженеров кино и телевидения
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[ http://www.iks-media.ru/glossary/index.html?glossid=2400324]Тематики
- электросвязь, основные понятия
EN
Англо-русский словарь нормативно-технической терминологии > Society of Motion Picture and Television Engineers
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2 Society of Motion Picture and Television Engineers
f <av> ■ SMPTE [sämmptih] ; Society of Motion Picture and Television EngineersGerman-english technical dictionary > Society of Motion Picture and Television Engineers
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3 Society of Motion Picture and Television Engineers
<av> ■ SMPTE f [sämmptih] ; Society of Motion Picture and Television Engineers fEnglish-german technical dictionary > Society of Motion Picture and Television Engineers
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4 Society of Motion Picture and Television Engineers
1) Общая лексика: Общество инженеров кино и телевидения2) Телекоммуникации: Общество кино и телеинженеров3) Hi-Fi. общество инженеров по кино и телевидениюУниверсальный англо-русский словарь > Society of Motion Picture and Television Engineers
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5 Society of Motion Picture and Television Engineers
1) Abbreviation: SMPTE2) Information technology: SMPTE (organization)Универсальный русско-английский словарь > Society of Motion Picture and Television Engineers
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6 Society of Motion Picture and Television Engineers
2) временной код SMPTE или код управления SMPTE ( для видеозаписи)English-Russian electronics dictionary > Society of Motion Picture and Television Engineers
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7 Society of Motion Picture and Television Engineers
The New English-Russian Dictionary of Radio-electronics > Society of Motion Picture and Television Engineers
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8 Society
- Society for Management Information Systems
- Society for World-Wide Interlink Financial Telecommunications
- Society of Certified Data Processors
- Society of Manufacturing Engineers
- Society of Motion Picture and Television Engineers
- American Society for Information Science
- American Society for Testing Materials
- American Mathematical Society
- American Physical Society
- American Television Society
- Audio Engineering Society
- British Computer Society
- Canadian Information Processing Society
- Institute of Electrical and Electronics Engineers Computer Society
- Internet Society
- Optical Society of America
- Radio Society of Great Britain -
9 Society
в соч.- American Physical Society
- American Society for Information Science
- American Society for Testing Materials
- American Television Society
- Audio Engineering Society
- British Computer Society
- Canadian Information Processing Society
- Institute of Electrical and Electronics Engineers Computer Society
- Internet Society
- Optical Society of America
- Radio Society of Great Britain
- Society for Computer Simulation
- Society for Management Information Systems
- Society for World-Wide Interlink Financial Telecommunications
- Society of Certified Data Processors
- Society of Manufacturing Engineers
- Society of Motion Picture and Television EngineersThe New English-Russian Dictionary of Radio-electronics > Society
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10 Общество инженеров кино и телевидения
Общество инженеров кино и телевидения
См. www.smpte.org.
[Л.М. Невдяев. Телекоммуникационные технологии. Англо-русский толковый словарь-справочник. Под редакцией Ю.М. Горностаева. Москва, 2002]Тематики
- электросвязь, основные понятия
EN
общество инженеров кино и телевидения
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[ http://www.iks-media.ru/glossary/index.html?glossid=2400324]Тематики
- электросвязь, основные понятия
EN
Русско-английский словарь нормативно-технической терминологии > Общество инженеров кино и телевидения
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11 SMPTE
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12 SMPTE
Society of motion picture and television engineers - Общество инженеров кино и телевидения; СМПТЕ -
13 SMPTE
= Society of Motion Picture and Television Engineers2) временной код SMPTE или код управления SMPTE ( для видеозаписи)•- SMPTE 260M -
14 SMTPE
Society of motion picture and television engineers - общество инженеров кино и телевиденияВ сфере телевидения и трехмерной графики так называется временной формат, состоящий из часов, минут, секунд и кадров (например, 01:57:31:12 означает 1 час 57 минут 31 секунду и 12 кадров) -
15 SMPTE
(Society of Motion Picture and Television Engineers) Общество инженеров кино и телевидения [США]см. www.smpte.orgАнгло-русский толковый словарь терминов и сокращений по ВТ, Интернету и программированию. > SMPTE
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16 Jenkins, Charles Francis
[br]b. 1867 USAd. 1934 USA[br]American pioneer of motion pictures and television.[br]During the early years of the motion picture industry, Jenkins made many innovations, including the development in 1894 of his own projector, the "Phantoscope", which was widely used for a number of years. In the same year he also suggested the possibility of electrically transmitting pictures over a distance, an interest that led to a lifetime of experimentation. As a result of his engineering contributions to the practical realization of moving pictures, in 1915 the National Motion Picture Board of Trade asked him to chair a committee charged with establishing technical standards for the industry. This in turn led to his proposing the creation of a professional society for those engineers in the industry, and the following year the Society of Motion Picture Engineers (later to become the Society of Motion Picture and Television Engineers) was formed, with Jenkins as its first President. Soon after this he began experiments with mechanical television, using both the Nipkow hole-spiral disc and a low-definition system of his own, based on rotating bevelled glass discs (his so-called "prismatic rings") and alkali-metal photocells. In the 1920s he gave many demonstrations of mechanical television, including a cable transmission of a crude silhouette of President Harding from Washington, DC, to Philadelphia in 1923 and a radio broadcast from Washington in 1928. The following year he formed the Jenkins Television Company to make television transmitters and receivers, but it soon went into debt and was acquired by the de Forest Company, from whom RCA later purchased the patents.[br]Principal Honours and DistinctionsFirst President, Society of Motion Picture Engineers 1916.Bibliography1923, "Radio photographs, radio movies and radio vision", Transactions of the Society of Motion Picture Engineers 16:78.1923, "Recent progress in the transmission of motion pictures by radio", Transactions ofthe Society of Motion Picture Engineers 17:81.1925, "Radio movies", Transactions of the Society of Motion Picture Engineers 21:7. 1930, "Television systems", Journal of the Society of Motion Picture Engineers 15:445. 1925. Vision by Radio.Further ReadingJ.H.Udelson, 1982, The Great Television Race: A History of the American Television Industry, 1925–41: University of Alabama Press.R.W.Hubbell, 1946, 4,000 Years of Television, London: G.Harrap \& Sons.1926. "The Jenkins system", Wireless World 18: 642 (contains a specific account of Jenkins's work).KFBiographical history of technology > Jenkins, Charles Francis
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17 Lauste, Eugène Augustin
[br]b. 1857 Montmartre, France d. 1935[br]French inventor who devised the first practicable sound-on-film system.[br]Lauste was a prolific inventor who as a 22-year-old had more than fifty patents to his name. He joined Edison's West Orange Laboratory as Assistant to W.K.L. Dickson in 1887; he was soon involved in the development of early motion pictures, beginning an association with the cinema that was to dominate the rest of his working life. He left Edison in 1892 to pursue an interest in petrol engines, but within two years he returned to cinematography, where, in association with Major Woodville Latham, he introduced small but significant improvements to film-projection systems. In 1900 an interest in sound recording, dating back to his early days with Edison, led Lauste to begin exploring the possibility of recording sound photographically on film alongside the picture. In 1904 he moved to England, where he continued his experiments, and by 1907 he had succeeded in photographing a sound trace and picture simultaneously, each image occupying half the width of the film.Despite successful demonstrations of Lauste's system on both sides of the Atlantic, he enjoyed no commercial success. Handicapped by lack of capital, his efforts were finally brought to an end by the First World War. In 1906 Lauste had filed a patent for his sound-on-film system, which has been described by some authorities as the master patent for talking pictures. Although this claim is questionable, he was the first to produce a practicable scund-on-film system and establish the basic principles that were universally followed until the introduction of magnetic sound.[br]Bibliography11 August 1906, with Robert R.Haines and John S.Pletts, British Patent no. 18,057 (sound-on-film system).Further ReadingThe most complete accounts of Lauste's work and the history of sound films can be found in the Journal of the Society of Motion Picture (and Television) Engineers.For an excellent account of Lauste's work, see the Report of the Historical Committee, 1931, Journal of the Society of Motion Picture Engin eers 16 (January):105–9; and Merritt Crawford, 1941, Journal of the Society of Motion Picture Engineers, 17 (October) 632–44.For good general accounts of the evolution of sound in the cinema, see: E.I.Sponable, 1947, Journal of the Society of Motion Picture Engineers 48:275–303 and 407–22; E.W.Kellog, 1955, Journal of the Society of Motion Picture Engineers 64:291–302 and 356–74.JWBiographical history of technology > Lauste, Eugène Augustin
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18 SMPTE
1) Грубое выражение: Stupid Movie Producers Torment Editors2) Сокращение: Society of Motion Picture and Television Engineers4) Вычислительная техника: Society of Motion Picture and Television Engineers (organization) -
19 SMPTE
Общество инженеров кино и телевидения
См. www.smpte.org.
[Л.М. Невдяев. Телекоммуникационные технологии. Англо-русский толковый словарь-справочник. Под редакцией Ю.М. Горностаева. Москва, 2002]Тематики
- электросвязь, основные понятия
EN
общество инженеров кино и телевидения
—
[ http://www.iks-media.ru/glossary/index.html?glossid=2400324]Тематики
- электросвязь, основные понятия
EN
Англо-русский словарь нормативно-технической терминологии > SMPTE
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20 Poniatoff, Alexander Mathew
[br]b. 25 March 1892 Kazan District, Russiad. 24 October 1980[br]Russian (naturalized American in 1932) electrical engineer responsible for the development of the professional tape recorder and the first commercially-successful video tape recorder (VTR).[br]Poniatoff was educated at the University of Kazan, the Imperial College in Moscow, and the Technische Hochschule in Karlsruhe, gaining degrees in mechanical and electrical engineering. He was in Germany when the First World War broke out, but he managed to escape back to Russia, where he served as an Air Force pilot with the Imperial Russian Navy. During the Russian Revolution he was a pilot with the White Russian Forces, and escaped into China in 1920; there he found work as an assistant engineer in the Shanghai Power Company. In 1927 he immigrated to the USA, becoming a US citizen in 1932. He obtained a post in the research and development department of the General Electric Company in Schenectady, New York, and later at Dalmo Victor, San Carlos, California. During the Second World War he was involved in the development of airborne radar for the US Navy.In 1944, taking his initials to form the title, Poniatoff founded the AMPEX Corporation to manufacture components for the airborne radar developed at General Electric, but in 1946 he turned to the production of audio tape recorders developed from the German wartime Telefunken Magnetophon machine (the first tape recorder in the truest sense). In this he was supported by the entertainer Bing Crosby, who needed high-quality replay facilities for broadcasting purposes, and in 1947 he was able to offer a professional-quality product and the business prospered.With the rapid post-war boom in television broadcasting in the USA, a need soon arose for a video recorder to provide "time-shifting" of live TV programmes between the different US time zones. Many companies therefore endeavoured to produce a video tape recorder (VTR) using the same single-track, fixed-head, longitudinal-scan system used for audio, but the very much higher bandwidth required involved an unacceptably high tape-speed. AMPEX attempted to solve the problem by using twelve parallel tracks and a machine was demonstrated in 1952, but it proved unsatisfactory.The development team, which included Charles Ginsburg and Ray Dolby, then devised a four-head transverse-scan system in which a quadruplex head rotating at 14,400 rpm was made to scan across the width of a 2 in. (5 cm) tape with a tape-to-head speed of the order of 160 ft/sec (about 110 mph; 49 m/sec or 176 km/h) but with a longitudinal tape speed of only 15 in./sec (0.38 m/sec). In this way, acceptable picture quality was obtained with an acceptable tape consumption. Following a public demonstration on 14 April 1956, commercial produc-tion of studio-quality machines began to revolutionize the production and distribution of TV programmes, and the perfecting of time-base correctors which could stabilize the signal timing to a few nanoseconds made colour VTRs a practical proposition. However, AMPEX did not rest on its laurels and in the face of emerging competition from helical scan machines, where the tracks are laid diagonally on the tape, the company was able to demonstrate its own helical machine in 1957. Another development was the Videofile system, in which 250,000 pages of facsimile could be recorded on a single tape, offering a new means of archiving information. By 1986, quadruplex VTRs were obsolete, but Poniatoff's role in making television recording possible deserves a place in history.Poniatoff was President of AMPEX Corporation until 1955 and then became Chairman of the Board, a position he held until 1970.[br]Further ReadingA.Abrahamson, 1953, "A short history of television recording", Part I, JSMPTE 64:73; 1973, Part II, Journal of the Society of Motion Picture and Television Engineers, 82:188 (provides a fuller background).Audio Biographies, 1961, ed. G.A.Briggs, Wharfedale Wireless Works, pp. 255–61 (contains a few personal details about Poniatoff's escape from Germany to join the Russian Navy).E.Larsen, 1971, A History of Invention.Charles Ginsburg, 1981, "The horse or the cowboy. Getting television on tape", Journal of the Royal Television Society 18:11 (a brief account of the AMPEX VTR story).KF / GB-NBiographical history of technology > Poniatoff, Alexander Mathew
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